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The funeral vaults of the Capulets. Romeo dies in her arms, and Giulietta expires from grief as her father and Lorenzo arrive. RCA Vesselina Kasarova is superb as the impulsive lover, and Eva Mei immensely appealing as his beloved. By early January they were at work on the politically innocuous La sonnambula, which they wrote very quickly. The following day Bellini wrote to a friend: Here you have the happy news of the uproarious success of my opera last night at the Carcano.

I will say nothing about the music, for you will read of that in the press. I can only assure you that Rubini and Pasta are two angels who enraptured the entire audience to the point of madness. The Russian composer Mikhail Glinka had been in the audience. In his Memoirs he wrote: Pasta and Rubini sang with the most evident enthusiasm to support their favourite conductor. In the second act the singers themselves wept and carried their audience along with them so that, in that happy season of carnival, tears were continually being wiped away in boxes and stalls alike.

A square in the village, outside the mill. The villagers have assembled to celebrate the imminent marriage of Amina, an orphan brought up by Teresa, the owner of the village mill, to Elvino, a wealthy young farmer. A carriage draws up, from which there emerges a handsome stranger who seeks directions to the castle. Although the villagers do not realize it, the stranger is in fact their feudal lord, Count Rodolfo, returning after a long absence to take 16 vincenzo bellini up residence in the castle on the death of his father.

As evening falls, the villagers warn the stranger of a phantom which they claim has been haunting their village, a warning that Rodolfo accepts with scepticism. Hearing a noise outside, she escapes to an adjoining room, inadvertently dropping a handkerchief which Rodolfo retrieves and hangs over a bedpost. Amina, wearing a white nightgown, now enters through a window, and Rodolfo realizes that she is walking in her sleep and that it is no doubt her somnambulism that has given rise to the rumour of a phantom haunting the village at night.

Rodolfo is touched by her words, and in order to avoid embarrassing her he leaves as Amina, still asleep, lies on the bed. The villagers arrive to pay homage to the Count. A forest between the village and the castle. The villagers are on their way to the castle to ask the Count to help establish the truth. As they leave, Amina and Teresa appear. The village square. Rodolfo attempts to la sonnambula 17 explain the events of the previous evening to Elvino but, like everyone else in the village, Elvino has never heard of somnambulism and does not believe him.

Teresa arrives, asking the villagers to make less noise as Amina is asleep in the millhouse. Elvino wonders if there are any honest women in the world, and Count Rodolfo repeats that Amina is innocent. When Elvino asks who can prove it, Rodolfo is able to reply that Amina herself can do so, for at that moment she is seen to emerge, obviously asleep, from an upper window in the millhouse, and to walk across a dangerous ledge on the roof.

La sonnambula, the earliest of his mature masterpieces, has a fair claim to be regarded as the quintessential Bellini opera, with its long-breathed elegiac melodies, its radiant coloratura and its expressive lyricism. More than a hundred years later the Australian Joan Sutherland sang many performances of La sonnambula all over the world.

The second is one of the all-time coloratura showpieces. In both, Miss Sutherland was as perfect as one could desire. It was fully deserved. For this was not merely coloratura singing, it was singing in the grand line, and it was the stuff of which legends are made.

Decca —2. Pavarotti, too, is in rich voice, and gives one of his most engaging performances on disc, while Richard Bonynge, completely at home in the bel canto repertoire, conducts most stylishly. The usually dilatory Romani produced his libretto very quickly, and Bellini began to compose the opera early in September.

Norma was given its premiere at La Scala on 26 December, the traditional date for the opening of the carnival season. Writing to his closest friend, the music historian Franco Florimo, whom he had known since their student days together in Naples, Bellini complained of his great disappointment: B I am writing to you in a state of bitter grief which I cannot express, but which you alone will understand.

I tell you truly, the audience was very severe, and seemed to me to want my poor Norma to suffer the same fate as the Druid priestess. I no longer recognized those dear Milanese, who had greeted Il Pirata, La Straniera and La Sonnambula with joy on their faces and warmth in their hearts, although I had hoped that with Norma I had given them something just as worthy.

Bellini certainly suspected this to be the case. Pasta made comments to the composer on her music as it was being written. The sacred forest of the Druids. The Druids beg their god, Irminsul, to arouse in Norma feelings of hatred and rebellion against the Romans, who have invaded their country. As the Gauls all move off into the forest, two Romans arrive. They are Pollione, the Roman proconsul, and his friend Flavio, a centurion.

However, he fears the wrath of Norma. As the sound of a gong heralds the return of the Druids, Pollione and Flavio depart. The Druids return with their high priestess, Norma, who approaches the altar stone with a golden sickle in her hand. Expected to incite the Gauls to rise against their Roman oppressors, Norma instead counsels peace, asserting that Rome one day will fall, not through any action on the part of the Gauls but because of its own vices. She longs for him to return to her.

All the Druids depart, except the young novice Adalgisa, who prays to Irminsul for help and protection as she awaits her lover, Pollione. She knows that Pollione has been recalled to Rome, and fears that he may intend to leave her and her children behind. At the sound of someone approaching, Clotilde takes the children away.

Adalgisa enters to confess to her superior, Norma, that she has broken her vow of chastity and with a Roman. Since Norma has done the same, she forgives Adalgisa and is about to free her from her vow when Pollione enters. Adalgisa spurns him and, as the hapless Roman attempts to justify himself, the sacred gong sounds, summoning Norma to the temple.

Norma enters the room in which her two children are sleeping. She is carrying a knife, for she intends to kill the children rather than allow them to live in shame. She sends Clotilde to fetch Adalgisa, having now decided to entrust the children to the care of Adalgisa and Pollione and then kill herself. In a fury, Norma rushes to the altar and strikes three times upon the sacred shield, summoning Oroveso and the Druids, whom she now incites to war, carnage and destruction.

A noise is heard in the distance, and Clotilde rushes in to announce that a Roman has been captured in the quarters of the virgin novices. Pollione is now led in by soldiers, ready to face the penalty of death rather than reveal that he had been attempting to carry off Adalgisa. Norma is about to strike the fatal blow, when she feels a sudden pity for Pollione. On the pretext of wishing to question him to discover whom he was planning to abduct, she persuades the Druids to withdraw.

When he refuses, she summons the Druids, confesses that she herself is the priestess who has broken her sacred vows, and orders her funeral pyre to be prepared. Entrusting her children to the care of her father, Oroveso, whose forgiveness she begs, she mounts the pyre accompanied by Pollione, whose love for her has been reawakened by her greatness of spirit.

His orchestration is hardly complex, but it is always appropriate. Asked by a French publisher to reorchestrate the score of Norma, Bizet discovered that the task was neither possible nor necessary. That comes of itself. But in Bellini you must always have a care for beauty of tone and correct emission. Ebe Stignani is a most sympathetic Adalgisa, her duet scenes with Callas both moving and exciting, and Mario Filippeschi is a suitably stentorian Pollione.

It was the last opera on which Bellini and Felice Romani collaborated, for the librettist had not only been dilatory in producing his text for Bellini to set, thus causing the premiere to be postponed, but he had also published a letter in a Venice newspaper blaming the composer for the postponement.

Bellini and Romani were never to meet again. The plots and characters of the two works are completely dissimilar. The courtyard of a fortress near Plymouth, at dawn. Sir Bruno and the Puritan guards welcome the approach of day, prepare themselves for victory over the Stuarts, and then, as the sound of a morning hymn is heard from the nearby chapel, kneel in prayer.

The women of the fortress enter, excitedly discussing preparations for the wedding of Elvira, daughter of Gualtiero, the governor of the fortress. When Giorgio assures her that he has persuaded her father to allow her to marry the Cavalier, Arturo, whom she loves, Elvira is overjoyed. The great hall of the castle. After Elvira has left to dress for the wedding, the prisoner seizes an opportunity to approach Arturo, identifying herself as Enrichetta, widow of the recently executed Charles I.

Arturo resolves to help her escape. Elvira now returns, dressed for her wedding and carrying her veil. Enrichetta begins to remove the veil but Arturo prevents her, realizing that it makes an excellent disguise. He is about to leave the castle with her when Riccardo rushes in. Thinking that he has found Arturo with his bride, Riccardo exclaims that he cannot allow her to marry a royalist, an enemy of the Puritan cause. Recognizing the prisoner, Riccardo coldly permits her and Arturo to leave.

When Elvira and the others return to begin the wedding procession to the chapel, they discover that the bridegroom has left the castle with the female prisoner. The countryside near the fortress. Elvira enters, and she and Arturo greet each other ecstatically. She imagines she is losing Arturo, and her cries bring soldiers rushing to the scene, among them Riccardo and Giorgio.

Arturo is seized, and Riccardo informs him that he has been sentenced to death. Suddenly a fanfare is heard, followed by the arrival of a messenger who announces that the Stuarts have been defeated and that a victorious Cromwell has granted amnesty to all prisoners.

Everyone rejoices at this unexpected happy outcome. The soprano and tenor roles of Elvira and Arturo abound in soulful and affecting melodies. The high-lying tenor role of Arturo has been sung to great acclaim by Nicolai Gedda and Alfredo Kraus. She has never been so free, so wozzeck 27 radiant, so transcendent; and when Nicolai Gedda soared to a high D in their duet in the last act and Miss Sutherland disappeared into the tonal stratosphere, the audience could scarcely be blamed for becoming hysterical.

Vienna, — d. I Act I, scene i. It is morning. The Captain is being shaved by his batman, the illiterate, simple-minded, highly nervous Wozzeck. Wozzeck and his friend Andres, a fellow soldier, are cutting wood. After he has run off, the distraught Marie also rushes out. Act I, scene v. Marie is talking to the boastful Drum-Major. Marie admires herself and her new earrings in a broken mirror, while simultaneously trying to get her Child to sleep. Wozzeck arrives and is suspicious of the earrings, which she tells him she has found.

He contemplates the now sleeping Child, then gives Marie some money he has received from the Captain and the Doctor. A street. The Doctor, hurrying along, is overtaken by the Captain, whom he upsets with his talk of disease and death. The two men stop Wozzeck as he passes and taunt him with innuendoes about Marie and the Drum-Major. They follow the distraught Wozzeck as he rushes off. Wozzeck confronts Marie with his suspicions. Act II, scene iv. The garden of a tavern, in the evening.

The soldiers, led by Andres, sing a hunting song, an apprentice climbs on a table to deliver a drunken discourse, and an Idiot appears, talking incoherently to Wozzeck of blood. As the dancing is resumed, Wozzeck can think of nothing but blood.

Act II, scene v. The barracks, at night. The soldiers are asleep, except for Wozzeck, who tells a somnolent Andres that thinking of the tavern is keeping him awake. When Wozzeck refuses to drink with him the Drum-Major attacks him, beats him viciously and leaves. Wozzeck sits on his bed, staring vacantly in front of him. Act III, scene i. Alone with her Child, Marie reads in her Bible, by candlelight, the story of the woman taken in adultery.

She prays for mercy. A path by a pond in the wood, at night. Marie and Wozzeck are walking by the pond. She wants to go home, but he prevents her. Act III, scene iii. The tavern, later that night. Youths and girls are dancing a polka. Wozzeck watches, and then he calls Margret over and begins to make love to her. When she notices blood on his hand he tells her he has cut himself and then rushes off, pushing his way through the crowd that has gathered around them. Act III, scene iv.

The path by the pond. Wozzeck has returned to search for the knife, which he had dropped. Finding it, he throws it into the water and watches it sink then walks into the pond to wash away the blood which seems to him now to have spread all over him.

He drowns. The Doctor and the Captain arrive in time to hear a sound which the Doctor thinks may be that of a man drowning, but the Captain, made uneasy by the atmosphere of the place, drags the Doctor away. Act III, scene v. It quotes music from earlier scenes, but begins with an adagio for strings, which is thought to derive from a symphony that Berg began composing in but soon abandoned. DGG —2. Their central character is Lulu, a beautiful, sensuous creature who drifts from promiscuity to prostitution.

The Animal-Tamer, whip in hand, appears before the curtain to introduce his beasts, among them Lulu. Lulu is having her portrait painted, watched by her ex-lover Dr Schoen, whose son Alwa, a writer, arrives to take his father to a performance of his play. Apparently unmoved, Lulu realizes that she is now both free and rich. Lulu reads a letter from Dr Schoen which, to her annoyance, announces his engagement.

She tells Schoen that her husband seems not to notice anything she does. Alwa Schoen enters, announcing that revolution has broken out in Paris. A theatre dressing-room. Lulu, now a famous dancer, is visited by Alwa Schoen, who is in love with her. She leaves to go on stage, while Alwa considers writing an opera about her. A Prince, who wants to take Lulu to Africa, enters and sings her praises. When Alwa Schoen arrives, the others hide.

Getting rid of the others, Dr Schoen brandishes a gun at Lulu and suggests that she should kill herself. The same room, in a state of neglect. Countess Geschwitz, Alwa and Rodrigo the athlete await Schigolch, who is to take the Countess to the hospital to change places with Lulu.

Schigolch arrives, and he and the Countess Geschwitz leave together. Soon, Schigolch returns with Lulu, whose sickly appearance causes the athlete to abandon his plan to marry her and take her to Paris as his performing partner. Lulu and Alwa Schoen leave for Paris together. A salon in a Paris casino. The athlete and Schigolch attempt to get money from Lulu, the Marquis calls the police, and Lulu, dressed as a boy, escapes with Alwa. Act III, scene ii. A garret in London. Alwa and Schigolch await the return of Lulu, who is now a prostitute and supporting them both.

Lulu arrives with a client, a Professor whose pockets are picked by Schigolch. Her next client is a negro who has an altercation with Alwa and kills him. One scene is a rondo, another a movement in sonata form, a third a set of variations, and so on. Remarkably, benvenuto cellini 35 however, although it is an uneven work, Lulu contains passages of great emotional impact, and its dramatic climaxes are shattering. These are the singers and conductor of the Paris premiere of the complete work.

An intensely exciting performance. Also, the tenor Gilbert-Louis Duprez apparently sang badly in the title role. The house of Balducci, the papal treasurer. Shrove Monday, at night. His daughter Teresa, however, has other plans. She is delighted to receive a note thrown in from the street by a masked reveller, Cellini, who enters after Balducci has left angrily, and who arranges with Teresa that they will elope on the following evening.

The courtyard of a tavern in the Piazza Colonna, on Shrove Tuesday evening. Cellini and his fellow metalworkers plan their revenge on Balducci, who has sent only a meagre sum as advance payment for the statue of Perseus that Cellini must complete by the following morning. At an open-air theatre on the other side of the piazza a play is performed, satirizing Balducci. Among the spectators are Cellini, his apprentice Ascanio, Fieramosca and Pompeo, all attired as monks, the guise in which Cellini has arranged to meet Teresa.

Their departure is frustrated by the arrival of Balducci and Fieramosca, who denounce Cellini. If not, he will be hanged for the murder of Pompeo. However, when Fieramosca returns and attempts to bribe them to leave Cellini and come to work for him instead, they turn on him in anger. Cellini reappears and berates Fieramosca for not having kept their rendezvous for the duel, and Fieramosca is now forced to help in the foundry. The Pope arrives, and the casting of the statue begins.

When Fieramosca announces that there is not enough metal to complete the work, Cellini orders all of his other precious statues to be melted down to replenish the furnace. Philips —2. An exemplary performance and recording. The citizens of Messina rejoice because a threatened Moorish invasion has been averted and await the return of their victorious army.

The citizens dance a sicilienne and then disperse. A less complex work than Much Ado About Nothing, it is, however, a pleasant romantic comedy whose lively and brilliantly scored overture utilizing tunes to be heard later in the opera became a highly popular concert item. Erato Musifrance ——2. However, it was not until he reached middle age that he felt ready to compose an opera about events in classical antiquity. Writing his own libretto based on Virgil, he proceeded to create Les Troyens, a grand opera in two parts.

It used to be thought far too long to be staged complete in one evening, although it actually takes less than four hours to perform excluding intervals. At the Royal Opera House, Covent Garden, in the opera was performed virtually complete, and a Scottish Opera production in claimed to have subjected the work to no cuts at all.

The abandoned camp of the Greek army outside the walls of Troy. The Greeks have apparently departed, leaving behind them only a huge wooden horse. The Trojans emerge from the city to examine it. King Priam and his wife, Hecuba, lead their people in a hymn of thanks for deliverance from the Greeks, while Andromache, widow of the slain hero Hector, enters with her infant son, in silent mourning for her husband.

Aeneas, a Trojan warrior, enters with the shocking announcement that the high priest Laocoon was devoured by sea serpents when he attempted to incite the populace to destroy the wooden horse which he suspected of being some kind of Greek ambush. King 42 hector berlioz Priam orders the horse to be brought into the city. Cassandra utters a warning, but even the ominous sound of clashing arms from within the horse fails to deter the citizens of Troy from dragging it into their city.

The Greeks who were hidden in the horse have captured Troy, and King Priam is dead. The temple of Vesta. She tells them that Aeneas and his followers will escape to build a new Troy in Italy, but that they, the women of Troy, should kill themselves rather than become slaves of the Greeks. The shipwrecked sailors appear. They are the Trojans, among them a disguised Aeneas.

Aeneas reveals his identity and offers to defend Carthage. Dido gratefully accepts his offer, and after leaving Ascanius in her care Aeneas departs to lead the combined Carthaginians and Trojans into battle against the Numidians. Act IV, scene i. A forest near Carthage. Naiads, bathing in a stream, are frightened off by the arrival of a hunting party. A storm breaks out. Separated from the les troyens 43 other hunters, Dido and Aeneas take refuge in a cave.

Act IV, scene ii. Aeneas has defeated the Numidians, but Anna and Narbal, conversing, disagree as to whether the love of Dido and Aeneas will prove advantageous to Carthage. The lovers enter, with Ascanius and attendants, and celebratory dances are performed before them.

The harbour at Carthage, by night. Pantheus and the Trojan chiefs agree that they must set sail for Italy immediately, to the dismay of two Trojan sentries who are annoyed at having to leave their easy life in Carthage. When the ghosts of Priam, Hector, Cassandra and Choroebus appear, urging him to do his duty, Aeneas rouses the sleeping Trojan soldiers, ordering them to prepare for departure. Act V, scene iii. A terrace overlooking the sea.

Narbal and Anna pronounce a solemn curse on Aeneas and the Trojans, and Dido mounts the steps of the pyre. She then stabs herself. As she dies, Dido is vouchsafed a vision of Rome, the eternal city. Admirers of Berlioz consider Les Troyens his masterpiece, but others have found it excessively long for the amount of really inspired music it contains. It has to be admitted that Berlioz lacked the theatrical instincts of such dedicated composers of opera as Meyerbeer, Verdi or Wagner; he was not, in the sense that they were, a man of the theatre.

In the Metropolitan Opera, New York, staged the opera substantially complete, with Kubelik conducting, Vickers predictably superb as Aeneas and Christa Ludwig a Dido of great charm. In the Salzburg Festival oddly chose to present Les Troyens, one of the grandest epics ever composed, in a minimalist production, which was generally derided by critics and audiences. Davis gives a magisterial account of the work, Jon Vickers, predictably, is a splendidly heroic Aeneas, Josephne Veasey a commanding Dido, and Berit Lindholm an effective Cassandra.

Paris, — d. T Act I. A rocky beach in Ceylon. Nadir and Zurga had both fallen in love with a beautiful young woman whom they 46 georges bizet had encountered at the Brahmin temple in the town of Kandy, but they had vowed to renounce her so as not to disturb their friendship. The temple ruins, at night. However, as Nadir leaves, he is seen by Nourabad, who calls upon guards to pursue him.

Zurga recognizes it as the necklace that he gave, years previously, to a young girl who saved his life. The place of execution: a funeral pyre beneath a statue of carmen 47 Brahma. Gradually its popularity grew until in due course it became one of the best-loved of operas. Famous nineteenth-century composers such as Tchaikovsky, Brahms and Wagner expressed their admiration for Carmen, and Nietzsche declared it to be the perfect antidote to Wagnerian neurosis. A square in Seville, with a tobacco factory on one side and a military guardhouse on the other.

Zuniga informs Carmen that the soldier who was sent to prison for allowing her to escape has now been released. The historic center of the city offers a set of winding alleys and hidden courtyards embellished with typical wooden balconies; rich in Orthodox and Armenian churches, synagogues, mosques, temples and scenic houses overlooking the Mtkvari Kura river, Tbilisi represents the gem stone of Georgia, a country known for the myth that portrays it as the cradle of global wines.

Since its foundation, the Aqua Geo company has always had the main aim of equipping itself with the most modern technologies in the sector, to create a high quality product capable of equaling the mineral waters present on the main European markets. This is an objective that the Georgian company is able to achieve everyday thanks to severe laboratory tests on the water from the source and the finished product, modern and sophisticated control systems for the entire production process and continuous monitoring of the packaging and distribution process.

SMI, which has been collaborating with Aqua Geo since , has been involved in the important development project of the Kobi brand and has designed, built and installed two bottling lines side by side: one for 0. The logistic configuration of the two lines side by side allows space and costs to be optimised, due to the fact that both use the same area for raw materials and the same unloading and storage area for the finished pallets ready for distribution.

Over types of local wines are registered in Georgia, making the country one of the oldest places for producing high quality wines in the world. Although we usually associate wine with a Mediterranean lifestyle, historians and archaeologists from all over the world agree, that in these parts, people were toasting with fermented grape juice as early as 8 thousand years ago, as demonstrated by substances attributable to the wine discovered on clay findings dating back to 6 thousand years before Christ.

The first elderberry trees were planted in and the first product Elderwood wine, became the object of his graduate thesis in agriculture. The success of this new product prompted the Swiss company to expand the elderberry plantation and at the same time expand their business. At first there were only seven employees, today the company employs 25 people and, apart from elderberry, they also cultivate currants, raspberries, herbs and berries.

This allows them to continue their efforts of innovation and diversification that is the basis of their very wide and varied, current production range. Elderberry and fiction: the elder is often mentioned in literature, as in a passage by Giovanni Verga, which mentions a musical instrument made of elderberry.

In the Harry Potter saga, the most famous wizard in the world, the elderberry magic wand is the most powerful. A kind of blowpipe is made from an elderberry branch and it is used to shoot tiny balls. The player who blows the ball furthest wins. Natural dyes: Germanic people collected elderberries, which they then crushed to obtain a natural dye with which they painted their body before going hunting or in battle. In the kitchen: elderberry flowers and berries are also used in culinary recipes.

The flowers are used to flavour some drinks, while the ripe berries are used to make jams and jellies. There is a famous digestive liqueur based on a distillate of elderflower and aniseed, Sambuca. To satisfy the various tastes of the latter, the Henau-based company continuously develops and introduces new products, marketed under its own brand or for third parties, both in Switzerland and in the rest of the world.

The aseptic line solution provided by SMI, starts from these considerations: from the need to have an extremely flexible system, to process the many products offered by Holderhof, and from the importance of having hi-tech production systems, that preserve the surrounding natural environment.

Considering the production speeds, the customer could have chosen between rotary or linear stretch-blow molding solutions. Rich in vitamin B, A and C, this fruit is rich in minerals such as potassium, magnesium, zinc, sodium, calcium, phosphorus and iron. Elderberries contain antioxidants including flavonoids, anthocyanins, tannins, terpenes and glycosides, polyphenols, citric, cinnamic and chlorogenic acids and many amino acids including glutamic and aspartic acids, alanine, arginine, cystine, glycine, isoleucine, lysine, proline, serine, tyrosine, threonine, tryptophan and valine.

The flavonoids contained in elderberry are vasodilators and help unblock nasal congestion and stimulate bronchial secretion. Dried flower and berry wraps relieve the swelling of heavy legs and promote peripheral blood circulation. Bioflavonoids, found in flowers and berries, strengthen the immune system by increasing antioxidant levels and protecting cell walls from virus attacks.

Various studies have shown that elderberry extracts, reduce the duration of flu symptoms, on average from the classic 6 days, to just 24 hours, and that the substances contained in it inhibit the replication of viral DNA, not only in influenza but in in general in all viruses. The fruit syrups are made with organic, natural, fruit juices, made with fruits from the plantations located between Lake Constance and the Toggenburg district and in which dozens of farmers work.

The hand-picked harvest, of flowers and berries, is the most time-consuming work, but at the same time ensures a high, quality raw material. Only a few hours pass between harvesting and processing, a fundamental aspect to guarantee natural, fresh, tasty, quality products. For centuries, elderberry, together with chamomile, has been one of the main remedies of herbal medicine, appreciated for its wealth of beneficial properties, especially with regards to its antibacterial and antiviral functions.

The medicinal-herbal properties are mainly contained in the fruits and flowers. The flowers can be harvested between May and June, while for the berries you have to wait until the end of August when they are fully ripe. Ripe berries reach an almost black colour, very similar to blueberries, while if they are red, they have an unripe taste and can also be irritating.

A: Of course! In a market that is under continual change, we need to innovate continually, whether with our drinks or with technology. What are the advantages offered by the new aseptic filling line supplied by SMI? Q: Mr. Schenk, is it correct to say that your passion for elderberry based products, came from your thesis on elderberry wine? A: Yes, that is correct. It all began with the thesis I prepared for my degree in agriculture which was on elderberry wine.

The thesis and the interest in this product with ancient virtues were the elements that prompted me to start the Holderhof Produkte business in Q: How do Holderhof products differ from all others? A: The fact that most of the raw materials come from our certified, organic farm clearly sets us apart from our competitors.

In this way, we can constantly monitor the quality, starting from the raw material up to the ready drink. Q: What were the most important milestones for the growth of your company? A: Definitely, the construction of the production plant with the first PET bottling line. To satisfy the multiple tastes of consumers, Holderhof, continuously develops and introduces new drinks, marketed under its own brand or for third parties, bottled in PET containers.

An increasingly large number of companies, even abroad, are choosing the quality of our products. HOLDERHOF I 46 A: Since the blow moulding machine, conveyors, shrink wrapper and palletiser were designed, built and installed by a single supplier, we can benefit from optimised management costs and changeover times.

The production of the Holderhof company, is in fact very varied and we need to quickly switch from one bottle to another and from one pack format to another. We opted for the rotary solution of the EBS E ERGON blow moulding machine, because it offers the advantage of being flexible in the production of various types of PET containers, of different capacities, and allows simple and quick format changes.

What characteristics do your suppliers need to have, to satisfy this principle? A: Our suppliers must have equally high requirements in terms of quality.

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